Tonbild zum "Duett der Nedda und des Silvio" (auch "Warum denn hielt'st Du mich sehnend umfangen") aus Ruggero Leoncavallos Oper "Pagliacci", zu Deutsch "Der Bajazzo". Seit ihrer Uraufführung in Mail...
A compilation of war scenes taken from the second part of the epic film "Helena" (1923/1924) – a film adaptation of the ancient saga about the conquest of Troy by the Greeks made by Manfred Noa for ...
Fragments of two movies for which no further information is available. The titles "Vater ist im Kriege" / "Henny Porten Fragment" are taken from the film can. The first two minutes of the digitized 16...
Harry would like to marry his Grete on the spot, but first he has to get the approval of his future father-in-law, Councillor Goldfish. And poor Harry has to meet an important condition set by Goldfis...
Harry would like to marry his Grete on the spot, but first he has to get the approval of his future father-in-law, Councillor Goldfish. And poor Harry has to meet an important condition set by Goldfis...
Harry would like to marry his Grete on the spot, but first he has to get the approval of his future father-in-law, Councillor Goldfish. And poor Harry has to meet an important condition set by Goldfis...
Hilmar Hoffmann at the 50th anniversary of the Deutsches Filminstitut - DIF in Frankfurt am Main on October 22, 1999
Jonas Hämmerle beim Internationalen Kinderfilmfestival LUCAS im Deutschen Filminstitut - DIF, Frankfurt (2008)
Hilmar Hoffmann at a press conference for the the release of the book "Der Kulturpolitiker. Hilmar Hoffmann, Leben und Werk" (ed. Deutsches Filminstitut - DIF) at the Deutsches Filmmuseum on August 21...
Artur and Maria Brauner at the reception of the Deutsches Filminstitut - DIF at the Berlinale on February 14,2012
Peter Chatel, Rainer Werner Fassbinder, Ulla Jacobsson, Adrian Hoven (v.l.n.r.)
Peter Chatel, Rainer Werner Fassbinder, Ulla Jacobsson, Adrian Hoven (v.l.n.r.)
Peter Chatel, Rainer Werner Fassbinder (v.l.n.r.)
Peter Chatel, Rainer Werner Fassbinder (v.l.n.r.)
The film was admitted to young people under 16 years.
The film was permitted to young people under 16 years.
The production company "Avanti-Tonfilm" applied against the partial ban of the film "Die eiserne Jungfrau". The application was rejected. The film was prohibited.
Morgenpost (Berlin),
The film was permitted to young people under 16 years.
There was no kind of restriction noted.
6 scenes had to be removed, which refer to the contracts of Versailles (after World War I), when Germany lost several parts of its territory. After the cuts the film was permitted to young people unde...